Wendy Matthews reaches higher ground with a little help from her friends.
Five years ago, a friend of Wendy Matthews gave her a spell kit
for her birthday. It included acorns, gum nuts, herbs, a candle to burn and a
list of incantations. " was just waiting for the right occasion to use
it," Wendy says.
The right occasion was her 40th birthday. She and her 10month old dog Bear
went up to her four-hectare property on the NSW North Coast where she set up a
majestic tepee full of bright Native American rugs and knick-knacks. There she
wrote a list of things she was pleased with and wanted to achieve, wrapped it
around the gum nuts and acorns, and burned it under a tree while chanting.
"It was the end of a beginning or the beginning of an end," the
singer says. "You don't ask for material things like a Porsche or going
to Paris. They weren't internal things. Once you get that right and you come
from a good place, the material things follow."
The property is where Canadian-born Matthews flees when she seeks sanctuary. A
is neighbour, Russell Crowe who presented her with an ARIA award years ago.
The actor and singer showed her around the area when she was looking for land,
then bought some mates to help when she set up the tepee.
When she was writing "No Vacancy", she remembers actor Sidney
Portier (To Sir With Love, Sneaker) coming to her in a dream and reciting,
"He's a man, he's not a God, he's a man, don't ask me to keep a secret, I
might not say." She asked Crowe to use his deep biblical voice to repeat
the words on the track.
Wendy's life has been through some radical changes in the past few
years. One is her well documented discovery that there was a Canadian
Indian link to her family that had been hushed up. She always sensed
there was a connection - "as a kid, I'd get upset when the cowboys killed
the Indians in western movies." A few years ago, Wendy and her mum
made a pilgrimage to visit the Abanaki tribe.
The song "Right Now" reflects how she's learned to follow
her instinct and do something without thinking about the outcome good or
bad. "It sounds so simple on paper, but that's been a problem for
me, " she says. "As you become an adult, you have to make
these things for yourself. I've been alone since I was 16. I'm
glad I never let fear stop me from doing what I want to do, although the fear
was definitely there. I'm not so self-conscious; I don't fear so much
about being judged. I feel very strongly about expressing myself."
The quiet power she feels as a human being reflects the current album. "Beautiful
View", the gorgeous song about love - "it can be love for a
person, a dog, your planet, a car" - but also taps into the fear one has
of total commitment.
"I've been alone since I was 16, I'm glad I never let fear stop me from doing what I want to do."
"Roll Away the Stone", a love letter to her family and
friends - "Friends I have lost/Friends I have found/I would like to thank
you for leading me to higher ground" - also uses Biblical imagery about
resurrecting some of these relationships. The song finishes off with the
line "Father, mother, all the others always standing next to
me." Last month, she returned to Canada after four years to meet up
with her family. It's significant that her "new" straight
hairstyle is what she sported as a teenager in her innocent days in Canada.
Fact File:
Born in Montreal, Canada and spent her early years at the feet of her
harmonica-playing Grandfather.
At 15, left home and busked across North
America and Mexico and then settled in LA where she earned a reputation as a
sought after session singer.
Arrived in Australia in 1983 and had huge
success with albums Émigré, Lily, The Witness Tree and Ghosts,
including a best of Stepping Stones.
Words: Christie Eliezer
© June Issue "SAIN" Magazine 2001
SO SIOUX ME ~ Sain Magazine 2001